Sunday, May 31, 2009

Writing problem: what to do if you get stuck?

This happens often as you write your script or novel. You come to a point where you think you’ve written yourself into a corner. A plot point requires something and you just can’t get there. Wait a minute, he can’t swim to safety; he’s in a wheelchair. Exactly how is she going to get to the Pope to sell him Girl Scout cookies?

This is one of the benefits of a being in a partnership – sometimes he can solve it.

But when working alone, here are four handy tips:

First, don’t be afraid to go back. Yes, you spent an hour on the last page and there’s a great joke about renal failure but if it drops you off at a dead end replace it with something that works. Once you have it you’ll probably be able to make up for lost time and more.

So now that you’ve freed yourself, let your mind wander. Come at the problem from different angles. What if he doesn’t get drunk? What if she gets drunk instead? What if he kills the cable repairman tomorrow and not today (right away that makes more sense because the cable repairman is always a day late)? Way too often we get stuck thinking there’s only one way to solve a problem. There’s not. On LOST once there was some crisis and the solution was to “move the island”. Now that’s not the first thing you normally think of. Look for other options. They’re out there.

Second, go past it if you can. If it’s a joke you just can’t find, stick a pin in it and move on. Do the heavy lifting first and then come. It’s a lot easier to tackle the problem when you know it’s the final thing you need to do. But I say “if you can” because if the issue is a major plot point or character definition it’s usually better to solve it now. You don’t want to have to go back and rewrite six pages before the problem and then sixty pages after the problem once you’ve solved it. Or that could just be me. However, long speeches, specific jokes, finding the perfect paragraph to describe a setting – save that crap for later.

Third. Don’t panic. You’ll get it. It might not be in five minutes but you will. My partner and I always joke when we come to a bump that “that’s it. A thirty year career comes to end because we can’t figure how to get Daphne out of the room.” Yes, it’s frustrating but you’re a writer. You welcome pain.

And finally, just walk away. Take a break. Do anything else but write. For some this is hard. They don’t like to stop until they’ve finished a scene or a certain number of pages or ZACK & CODY comes on. But it’s okay to stop in the middle of a scene, the middle of a speech, the middle of a word. Clear your head. Go for a walk. Go see a movie. Go to bed. Let your subconscious mull over the dilemma. It will, trust me. Many times I’ll go to sleep with a pad and pen by my bed. In the morning the solution is somehow there. I also do a lot of problem solving in the shower. It’s hard to read back later because the pad is wet, but letting your mind drift while you’re in a relaxed state often unlocks the lock.

Let me show you an example. I don’t really know how to end this post. So for now I’m ju

Saturday, May 30, 2009

Tonight on FAILURE THEATER...

Back in the 70’s and 80’s we had “Failure Theatre” Networks would air their unsold pilots. Here are just a few. Some are included because they’re particularly wacky, others are intriguing, and a few sound downright great.

A DOG’S LIFE – People dressed as dogs. Starring Barney Martin (SEINFELD) and Charles Martin Smith (AMERICAN GRAFFITI). No actors were injured in the making of this pilot.

DUFFY – A dog with human qualities. Dogs were in back then. I guess penguins are the new dogs.

DINER – Barry Levinson who wrote and directed the movie, wrote and directed the pilot as well. With Paul Reiser and James Spader (BOSTON LEGAL).

ETHEL IS AN ELEPHANT – MR. ED with very wide master shots. Starring Todd Sussman who, during that period, starred in fifteen or twenty failed pilots. Ethel’s career never recovered from this project.

THE FESS PARKER SHOW – The man who played Davy Crockett starred in a comedy.

FRANKIE & ANNETTE: SECOND TIME AROUND
– You loved them in the Beach Party movies and wondered how long could they remain a couple before they finally had sex? According to this pilot, twelve years and counting.

FRAUD SQUAD – from Jack Webb productions. Frank Sinatra Jr. as the head of the LAPD Fraud Squad. Not intended to be a comedy but ohhh mannn…

FROM CLEVELAND – Featuring Bob & Ray and the brilliant cast of SCTV.

GHOST OF A CHANCE – Shelley Long, pre-CHEERS, as a zany ghost.

GOOBER & THE TRUCKERS’ PARADISE – The title alone should have warranted a pick-up. This is a spin-off of THE ANDY GRIFFITH SHOW and marks the very first appearance of Gomer Pyle.

GOOD PENNY – Billed as a comedy about an emotionally disturbed woman (that must’ve been a helluva pitch). Well cast with Rene Taylor in the starring role.

GREAT DAY – another premise chock full of comedic possibilities. Skid row derelicts in Los Angeles. Featured Al Molinaro (HAPPY DAYS) and as “Jabbo “– Spo-De-Odee.

HARRY’S BATTLES – Dick Van Dyke and Connie Stevens did not have the magic of Dick and Mary Tyler Moore, or even Dick and Hope Lange.

HIGH SCHOOL USA – After his “Garden Party-take-me-seriously-as-an-artist” period Rick Nelson starred as the principal in a series that featured a ton of 50’s and 60’s family sitcom cast members including Harriet Nelson, Jerry Mathers, Ken Osmond, Paul Peterson, Dick York, and Barbara Billingsley. Also Crystal Bernard (WINGS) who must’ve been 9 then.

HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING – Adaptation of the Broadway smash. Written by Abe Burrows. NOT directed by James Burrows.

HUMAN FEELINGS – Billy Crystal playing an angel.

IF I LOVED YOU AM I TRAPPED FOREVER? Not only is that a great title, it was written by Larry Gelbart (MASH, TOOTSIE, OH GOD). This is one I’d really like to see.

KANGAROO IN THE KITCHEN – A Greenwich Village apartment overrun with animals. To me the real show would have been the poor people in the apartment directly below.

LOVEBIRDS – Eugene Levy in a sitcom.

ME & MRS. C. – Another comic goldmine premise: A widow living on Social Security. Starred Doris Roberts (EVERYBODY LOVES RAYMOND).

MR. & MRS. DRACULA – After 618 years of marriage they move to America. Bats out of water. Written by Robert Klane (WHERE’S PAPA, WEEKEND AT BERNIE’S) so it was probably damn funny.

NEWMAN’S DRUGSTORE – A Brooklyn diner during the Depression. God, I’d love to go in to Fox and pitch that today.

OFF CAMPUS – Coed rooming house starring Marilu Henner (TAXI) written by Marshall Brickman (ANNIE HALL, JERSEY BOYS). This is one of about seventy college dorm/sorority/coed rooming house pilots done during that era. Another one featured Michelle Pheiffer.

SITCOM – A spoof of the genre, following the Gooseberry family. Created by Tom Patchett & Jay Tarses (THE BOB NEWHART SHOW, BUFFALO BILL). I read this script. HILARIOUS! And while we’re on the subject of Tom & Jay…

THE CHOPPED LIVER BROTHERS – Patchett & Tarses wrote and starred as two struggling stand-up comics. Add 50 years to them and you have…

THE SUNSHINE BOYS – Neil Simon wrote the pilot from his play, this time starring Red Buttons and Lionel Stander. I wonder if the network gave him notes.

I’m sorry but I would rather see any of these over the schlock reality shows that are being jammed down our gullets this summer. WIPE OUT???!! Don't the promos alone make you cringe? Bring back “Failure Theatre”!

Friday, May 29, 2009

I love this music video

It's from the 60s. There was a primetime show on ABC called SHINDIG. Primarily, it was a rock n' roll variety show. Here are the Hondells singing their big hit "Little Honda". Except that... they're riding Vespas. And watch what the girls do halfway through the song. This is a safety message you want to be sending to kids. God, we were gullible back then.

Thursday, May 28, 2009

Inside info about FRASIER

First off, thanks so much to all of you who took the time to write in yesterday. WOW! I'm really blown away. If you haven't weighed in yet, I'd love to hear from you.

One feature that seems popular is the Friday questions. When I don't have the answer I try to go to the person who does. In this case, David Lee, one of the creators/executive producers/writers/directors of FRASIER. Thanks, David!

Dhppy asks:

I noticed the Frasier logo was always silver colored in it's final season. Was that designed to be a sign of it's platinum year or something to that effect?

As far as I recall, silver was chosen for the final year because it was one of the only colors left. It may have had some special significance as I don't remember using a metallic color before. Not sure. Changing colors every year was decided early on because when we watched CHEERS in syndication we found ourselves often asking "Which season was that show?" We now have replaced that question with "Which season was orange?"

Dhppy also wants to know:

Was there ever talk of getting Jean Smart as a regular on Frasier?
Not really. We of course loved her, but we found on FRASIER that it was better just to leave things open no matter how terrific the actor, so that if a story arc ran its course we could wrap it up rather than be stuck "servicing" an actor week after week . We did this over the years several times with terrific actresses since Frasier was always finding a woman of whom he thought "this time I think she's really the one" only to have it turn out badly.

Thanks again, David. What's your question?

Archie, You Moron


Many moons ago, I owned a "Little Archie" digest that featured a familiar story: Betty lobbies for Archie's affections, and he reacts like a jerk. Because Archie didn't want to walk Betty home from school, he took her through a muddy, meandering route that ruined her outfit and hair. Veronica, in typical mean girl fashion, laughed at Betty when the pair arrived at the Choklit Shoppe.

Archie felt so bad that he offered to walk Betty to school properly the next day, and he even gave her a lock of his hair. However, I was disappointed that Betty let him off the hook so easily and continued to carry a torch for him. I also never completely forgave Archie for being such an asshole, which is probably something to be discussed with a therapist.

Now, there's proof that Archie is an idiot in matters of the heart: CNN reports that Archie will pop the question to Veronica — Veronica! — in a special 32-page issue. The comic will explore the post-college lives of the Riverdale gang, and it's clear from her blog that Betty is heartbroken.

I get that Veronica's wealth, sophistication and overall hotness would be alluring to a 17-year-old boy. But Betty is just as pretty, and I don't recall her once berating Archie for running out of money, driving a piece of shit vehicle or not catering to her every whim. Besides, Archie isn't exactly a Mensa member, so unless his music career takes off, how does he expect to keep Veronica in Gucci and Tiffany? He'll be singing a different tune when he's filing for bankruptcy at 28.

Here's how I'd write that script: Reggie gets his act together, becomes a nice guy (with an edge) and sweeps dear Betty off of her feet. For all his issues, Reggie has always been sexier, funnier and more ambitious than his red-haired nemesis. Living happily ever after with Reggie would be sweet, sweet revenge for Betty Cooper. Archie would be doomed to a life of regret and sending Betty sad e-mails.

I have a theory about why Betty, Veronica and bodacious troublemaker Cheryl Blossom have been fighting over Archie all these years, but I've already said too much.

Wednesday, May 27, 2009

3,000,000 and counting

It’s just a number and it’s not even accurate but according to my site counter I will hit 3,000,000 visitors this week. There are also RSS feeds, feedburners, and other ways that people access this blog that don’t show up in the stats so I’m told the actual number is significantly higher. I still have no clue how any of this works. I'd have an easier time comprehending the Theory of Relativity than Widgets.

But I do want to take this opportunity to thank all 3,000,000+ of you. I’ve been writing this nonsense for 3 1/2 years, almost 1500 posts. This blog fulfills a dream – to do a ton of writing for absolutely no profit.

Still, these milestones serve as a great excuse to ask you guys to write to me today. Especially new readers, lurkers, and AMERICAN IDOL finalists. Let me know where you’re from, how long you’ve been here, how you found the blog, and any thoughts of what you do or don’t like. I do pay attention to the feedback. You’ll notice I have not reviewed STUDIO 60 ON THE SUNSET STRIP in over two years. All I ask is you leave a name.

This has been a labor of love. And I can’t tell you how many great people I’ve met as a result of this folly. So to paraphrase the airlines: “I know you have a choice of 7,846,935,833,8563 blogs, thanks for reading mine.”

And thanks in advance for leaving a comment.

Shake-up at ABC

It’s not just Fox. ABC just let their SVP of Comedy go. Samie Falvey is being replaced presumably by Kevin Plunkett who runs comedy for their studio. I’ve had the pleasure of working with Kevin and he’s terrific. Not that he’ll ever buy anything from me but he’s a great choice.

Transformer Movie Arcee

This is one Transformer collections that I know only CH-Toynation are selling. This is the limited run of TakaraTomy version of Arcee. She will also be featuring in the latest Transformer 2 - ROTF movie this coming June. What so special about this version? She is painted in black and come with a mini All Spark. Only TakaraTomy version had a mini All Spark included in the package.







Tuesday, May 26, 2009

Cliff Clavin explains Yorkshire pudding

Bonus Friday question: Dana Gabbard asks:

Maybe you could give us a peek at the legal process a script goes through. I know from reading the Making of Star Trek that someone researches whether a character's name is too similiar to an actual person who has the same profession as the character, etc.

There are a couple of research firm that comb through scripts to identify possible legal problems and double-check facts. You mention Hitler and they’ll say, “Former German dictator”, stuff like that.

One time on CHEERS we had a run where Cliff explained the derivation of Yorkshire pudding. The research person called me (since I co-wrote the episode) asking where I got that information. She had been researching it for two days and couldn’t confirm our claim. I said a waitress at Lawry’s Prime Rib restaurant told me. The researcher was apoplectic. “You can’t go with historical information based on hearsay from a waitress!” I reminded her it was Cliff telling the story. Who gives a shit if he’s right? She hung up satisfied.

My other research firm story is not so amusing. When my partner, David Isaacs and I were creating the MARY show for Mary Tyler Moore in 1985 we set the series in a Chicago newspaper. We gave the research firm a list of about twenty newspaper names. They came back with five or six that had cleared. We selected the Chicago Post. We filmed the pilot and then David went to Chicago to supervise the filming of our opening credit (yes, we even had opening credits back then). We had posters on the side of buses showing Mary.

At 9:00 the next morning I get a call from a gentleman who said he just saw a bus go by and was very concerned. He was the editor of the Chicago Post. I picked my jaw off the floor and said I’d have to get back to him. I then called Chicago information and sure enough there was the Chicago Post. The research firm had fucked up BIG TIME! MTM contacted him and was willing to arrange a settlement for use of the name.

Fortunately, the words Chicago Post were nowhere in the newsroom set. But the Post editor figured we’d have to reshoot the whole pilot at a cost of several million so he really had us over a barrel. He asked for a fortune. MTM countered with a very fair offer. He said they were bluffing. They gave him a deadline. He didn’t bite. We became the CHICAGO EAGLE. It cost a few hundred dollars to loop Eagle for Post in dialogue and a few thousand to reshoot the bus shots in Chicago. Far less than it would have cost had we settled. FAR less. But can you imagine the hassle? All because the research firm (who we fired, you’d be surprised to learn) didn’t employ as one of their resources the damn phone book.

Comedies are BACK!! Kinda. Sorta.













Yesterday I presented a general overview of this year's series pick-ups. Today let's focus on comedy (since drama is the same doctor shows/lawyer shows/cop shows/sci fi shows/procedurals/and spin-offs of the above with names of cities tacked onto the title).

ABC’s MODERN FAMILY is getting good buzz. Advertisers found it “flat out hilarious”. I’m not quite sure Don Draper would know a great comedy but still, it’s encouraging. MODERN FAMILY is a mockumentary about three suburban families.

For ABC’s comedy night, all four entries feature actors who have already starred in at least one hit comedy – Kelsey Grammer, Patricia Heaton, Ed O’Neill and Courtney Cox. Yes, they're playing it safe but give them credit -- they could have gone with Alex Karras, Jeff Conaway, Susan Clark, and Fran Drescher.

FOX is being a little more chancy. Their midseason entry, BROTHERS stars Michael Strahan, whose previous acting experience was playing defensive end for the New York Giants.

Every year there seems to be two shows that are exactly the same. This year it’s COUGAR TOWN with Courtney Cox as an older woman dating a younger man and CBS’ ACCIDENTALLY ON PURPOSE starring Jenna Elfman as an older woman dating a younger man. I’m sure this was a wildly popular premise among women network executives.

In maybe the weirdest pick-up, FOX renewed ‘TIL DEATH for a full season. Last year it did so poorly that FOX yanked it off the schedule in November and there are still a ton of episodes that remain unaired on top of the 22 new episodes just ordered. As long as FOX never puts 'TIL DEATH back on its schedule it could go for ten more years.

Gone is ACCORDING TO JIM (there IS a God!) and SCRUBS will be back but Zach Braff will only appear in six episodes. The industry is now nicknaming it AfterSCRUBS. I have some AfterMASH scripts if they need them. Just change "Soon-Li" to "Elliot".

NBC, once a broadcasting network, will be shelving 30 ROCK until midseason. Uh, it wins the Emmy for Best Comedy every year. Wouldn’t you sort of want that show on the air? Watch. The minute their first new show tanks it’ll be back on the schedule. So I’m guessing October 1st.

My best wishes to all the writers of all these shows. Keep the torch lit. The foundation of television has always been comedy (whether they know it or not). In success it's Jed Clampett hitting oil. And now more than ever, boy do we need to laugh.

Transformer - Soundwave

These are similar collections offer by Takara in the early 2000. This one here is my favorite Decepticon Character Soundwave in both Normal and Clear version. He will also appear in TF2-ROTF as a satellite. Let see how he does it in the movie when its release 24th June








Monday, May 25, 2009

2009 Upfronts recap

The Upfronts are over, the smoke has cleared, and the final tally for fall pickups is 32 new scripted series – 21 dramas and 11 comedies. So percentage-wise, that’s 33% sitcoms. Clearly an improvement over past years but remember, NBC has officially thrown in the primetime towel and scheduled Jay Leno every weeknight at 10. There go two or three potential new nurse dramas (leaving us with only three).

A couple of the networks have given up on Saturday night completely, airing reruns of dramas rather than new product. (What a contrast to the 70s when CBS Saturday night was the biggest night of the week with ALL IN THE FAMILY, MASH, MARY TYLER MOORE SHOW, BOB NEWHART SHOW, and CAROL BURNETT SHOW. Today it’s NCIS reruns.)

SAMANTHA WHO? would have been picked up but ABC insisted producers cut $500,000 off of each episode’s budget… thus making it SAMANTHA HOW? The producers declined. Too bad. It was a decent show.

A couple of shows switched networks. MY NAME IS EARL apparently will move to FOX (I'm waiting for final confirmation but TBS is also interested) and MEDIUM will join the CBS lineup. NBC wanted to give MEDIUM a smaller order so the producers happily jumped to CBS who offered more. And now of course NBC is saying the show under-performed and they didn’t want it anyway. Had the producers agreed to stay at NBC they’d be claiming it’s the crown jewel of the network.

Greg Garcia, creator of EARL, was hardly miffed over leaving NBC. His quote: "It’s hard to be too upset about being thrown off the Titanic."

Both CBS and ABC are trying to establish a comedy night on Wednesday.

CBS added one new comedy. ABC ordered four and FOX ordered four. FOX then fired their comedy development VP.

Then there are the two almost-networks. No comedies ordered by the CW and NBC picked up two. NBC also (barely) renewed CHUCK after producers agreed to some "tweaking". I imagine that means cut the budget. Instead of a 3-D episode they may be forced to do 2-D. And they've made a product placement deal with Subway. Sarah Walker will now work at a Subway sandwich shop (thus becoming the smartest person EVER to work at a Subway). Oh, and the show won't air until next March after the Olympics.

Watch for more product placement deals in the future. It's going to be just like the 50s with tobacco companies dictating creative directions.

But of course the big story is that out of these 32 new series, a whopping 20 are owned by the networks . The only network that actually ordered more shows from outside production companies than in-house was ABC. 7 of the 10 were not ABC productions. The rest of the networks (and NBC) just stocked up on more of the shows they themselves own. Were they the best shows under consideration? You’re expecting me to say no but the answer is – probably because they owned most of the pilots too.

Tomorrow I’ll delve into more specifics comedy-wise. This season’s trends, what has good buzz, surprises, and the show that got renewed despite being yanked off the air last November.

P.S. If you were away all weekend, check out my Saturday post on the Worst Songs of All-Time. Always looking for new candidates.

Sunday, May 24, 2009

Memorial Day and then staff work begins

Happy Memorial Day. This is the time of the year when writing staffs go back to work. If you’re an aspiring TV scribe, I hope someday that’ll be you. Here’s what you can sort of expect…at least on the comedy side.

The first week will just be sharing vacation stories, home remodeling nightmares, and trashing reality shows. You’ll go out for long lunches, bitch about how much other writers make, compare Prius prices, convince non-Mac using colleagues to finally wise up and get a Mac, and discuss the upcoming summer movie slate. My blog might come up. Half will like it, half will think it’s a piece of shit.

You’ll mosey back to the office, maybe talk in very general terms about the season ahead, some scattershot thoughts on characters and stories, then go home at 4.

Week two you’ll come in and the show runner will panic. He’ll realize you’re now hopelessly behind. From there you get to work, really delving into the characters, spitballing story areas, eventually breaking stories. You still go home at 4 but at least you’re getting something done.

Over the next few weeks the stories will be outlined, assigned, written, turned in, and rewritten by the staff. You start having lunch brought in, going home at 6…and then 7… and then 9. By the time you go into production in August you might have four scripts ready to go with a few others in the pipeline. And hopefully you’ll have seen every summer movie you wanted to see, made your vacation plans for next year, bought that new Kindle, remodeled that kitchen, fulfilled every dinner obligation, read all those books on your nightstand, caught up on my archives, and took pictures of sunsets so you’ll remember what they look like…because now the real fun begins.

The actors come in rested and the first day of production you’re ready to kill them. And so it begins.

Your first real break comes when you can say "Happy Thanksgiving".

Saturday, May 23, 2009

The Worst Songs of All-Time

I've been doing this blog for so long I actually am starting to have annual traditions. One is the "Worst Song of All-Time" list. The fun is reading your cringeworthy suggestions. So let me know which tunes need to be added. There are, uh... "No Boundaries".

Here are a few to get you going.
Honey....Bobby Goldsboro

Good Morning Starshine....Oliver

The Night Chicago Died....Paper Lace

Billy Don't be a Hero....Bo Donaldson and the Heywoods

One Tin Soldier....Coven

My Boy Lollipop.....Little Millie Small

Surfin Bird....Trashmen

Mule Skinner Blues....Fendermen

He Hit me and it Felt like a Kiss....Crystals

Transfusion....Nervous Norvis

Ballad of the Green Beret....Sgt. Barry Sandler

Laurie...Dickie Lee

Deck of Cards....Wink Martindale

Hooray for Hazel....Bobby Roe

Yummy Yummy Yummy....1919 Fruit Gum Co.

My Dad...Paul Peterson

Timothy....Buoys

Unicorn Song...Irish Rovers

Watching Scotty Grow...Bobby Goldsboro

I've Never Been to Me...Charlene

Paper Tiger...Sue Thompson

Wildfire...Michael Murphy

Indiana Wants Me...R.Dean Taylor

Letter From Elena...Tom Clay

Little Black Egg....Nightcrawlers

Disco Duck...Rick Dees

Baby I'm a want you....Bread

Past, Present, Future…the Shangri Las

Wreck of the Edmond Fitzgerald....Gordon Lightfoot

Girls girls girls are made to Love...Eddie Hodges

Seasons in the Sun...Terry Jacks

Love Jones....Brighter Shade of Darkness

Heartbeat is a Love beat -- Delfranco Family

The Streaker...Ray Stevens

She Can't Find Her Keys...Paul Peterson

Ringo...Lorne Green

I Sold My Heart to the Junkman....Bluebells

Gallant Men....Senator Everett Dirkson

Which Way you Goin Billy....Poppy Family

Torn Between Two Lovers....Mary McGregor

Happiest Girl in the USA ...Donna Fargo

Ben...Michael Jackson

Open Letter to my Teenage Son...Victor Lundberg

The Men in my Little Girl's Life....Mike Douglas

Tin Man...America

Johnny Loves Me...Shelley Fabares

I Put a Spell on You...Screamin' Jay Hawkins

Claire...Gilbert O'Sullivan

Walk like an Egyptian…the Bangles

Today is Cindy's Birthday....Johnny Crawford

Close to Cathy....Mike Clifford

MacArthur Park...Richard Harris

Locomotion...Grand Funk Railroad

The Americans...Byron McGregor

Haunted House...Gene Simmons

Ruby Don't Take Your Love to Town....Kenny Rogers

Bottle of Wine....Fireballs

Wait For Me...the Playmates

How am I supposed to live without you…Michael Bolton

Sad Movies make me cry…Sue Thompson

Martian Hop....Randells

Skinny Legs and All....Joe Tex

Hello Hello....Claudine Longet

Tutti Fruitti....Pat Boone

Mrs. Robinson....Frank Sinatra

We are the World…USA for Africa

Do the Clam....Elvis Presley

Hello…Lionel Richie

I Remember You…Frank Eifield

Sometimes when we touch…Dan Hill

Uh oh (part II)….the Nutty Squirrels

Wam Bam (Shang-a-Ling)….the Silvers

Laugh at Me...Sonny & Cher

Little Green Apples....O.C. Smith

I Wish I were a Princess...Little Peggy March

You Really turn me on...Ian Whitcomb

I'm Henry the Eighth....Herman's Hermits

Muscrat Love...Capt. & Tanille

Sit on my face, Stevie Nicks...the Rotters

Jingle Bells...the Barking Dogs

Downtown...Mrs. Miller

Ain't No Way to Treat a Lady...Helen Reddy

Candy Man...Sammy Davis Jr.

Puppy Love...Donny Osmond

Touch me in the Morning...Diana Ross

Another Somebody done somebody wrong song...B.J. Thomas

Float On…the Floaters

Dominique…the Singing Nun

Lovin' You...Minnie Riperton

How does that grab ya, darling….Nancy Sinatra

Chick a Boom...Daddy Dew Drops

Mmmmm Bop...Hanson

You Light up my Life…Debby Boone

Neanderthal…Hot Legs

Call Collect...Art Linkletter

Karma Chameleon…Culture Club

Please Mr. Please...Olivia Newton John

Mickey...Toni Basil

Old Rivers...Walter Brennan

You Better Sit Down Kids...Cher

Indian Lake...Cowsills

Ding dong the witch is dead....Fifth Estate

Master Jack...Four Jacks and a Jill

Chirpy Chirpy Cheep Cheep...Mac & Katie Kissoon

Wild Thing...Senator Bobby

Tall Paul...Annette

Feelings…Morris Albert

Dreams of the Everyday Housewife…Glen Campbell

Roses are Red…Bobby Vinton

Stayin’ In…Bobby Vee

Chevy Van…Sammy Johns

England Swings…Roger Miller

Patches…Dickie Lee

Popsickle…Jan & Dean

I am Woman…Helen Reddy

Playground in my mind…Clint Holmes

Wind Beneath my Wings…Bette Midler

Trying to stop the feeling…Barry Manilow

The Doggone Girl is Mine…Michael Jackson & Paul McCartney

Ain’t Gonna Bump with no Big Fat Woman…Joe Tex

Speedy Gonzales….Pat Boone

I'm Not a Juvinile Delinquent...Frankie Lyman & the Teenagers

Dead Skunk...Louden Wainwright III

Transformer - JAZZ variations

I think I should start showing my full Transformer Collections given TF2 - ROTF are releasing very soon. Lots of people asked me what is the differences between Hasbro and TakaraTomy. I will use JAZZ for the explanation. Bear in mind, both Hasbro and TakaraTomy are the only company that own rights to produce Transformer Merchandise. TakaraTomy tend to have much better quality over Hasbro.

Hasbro Limited Version = G1 Color (Left)
TakaraTomy Standard Version = Gery Color (Right)

G1 Strips with No.4 imprinted on bonnet

Standard Movie Silver painted livery

TakaraTomy Tag

Information from the back packaging

G1 Version

Standard Movie Version

Bottom Printing - TakaraTomy Version

Bottom Printing - Hasbro Version


Another version from TakaraTomy - Jazz Final Battle Version

This packing come with Jazz fully transformed showing his damages around his body with additional cannon attached.





Friday, May 22, 2009

One of those great moments as a writer

This is the episode of CHEERS David Isaacs and I wrote that featured the "Wang Chung" line. Of all the episodes we wrote, this is one of my favorites. And I learned recently that James Hues, the lead singer of Wang Chung, said in an interview that his kids were more impressed that Wang Chung was mentioned on CHEERS than in the music. How cool is that???

Some background on the episode: It's the only show we ever did where we wrote no outline. That was the exercise. We had the idea of doing Frasier's bachelor party and wanted it to be stream-of-consciousness, go in whatever direction it wanted, and have the freedom to go off on bar talk riffs. This was the result. Everybody have fun tonight...





Transformers - Optimus Prime Collections

These are some of the Transformers Optimus Prime from my past Candy toys collections. Each of this dude cost about $7 - $9 each. Made by Takara around 2000-2003. All these are discontinued items. The figures are posable and articulate to the arms and legs . Not sure which Transformers Series are for each Optimus Prime except the original G1.