Monday, May 31, 2010

Memorial Day then staff work begins

Happy Memorial Day. This is the time of the year when writing staffs go back to work. If you’re an aspiring TV scribe, I hope someday that’ll be you. Here’s what you can sort of expect…at least on the comedy side.

The first week will just be sharing vacation stories, home remodeling nightmares, and trashing reality shows. You’ll go out for long lunches, bitch about how much other writers make, compare Prius prices, recommend apps for your iPad and iPhone, and discuss the upcoming summer movie slate. My blog might come up. Half will like it, half will think it’s a piece of shit.

You’ll mosey back to the office, maybe talk in very general terms about the season ahead, some scattershot thoughts on characters and stories, then go home at 4.

Week two you’ll come in and the show runner will panic. He’ll realize you’re now hopelessly behind. From there you get to work, really delving into the characters, spitballing story areas, eventually breaking stories. You still go home at 4 but at least you’re getting something done.

Over the next few weeks the stories will be outlined, assigned, written, turned in, and rewritten by the staff. You start having lunch brought in, going home at 6…and then 7… and then 9. By the time you go into production in August you might have four scripts ready to go with a few others in the pipeline. And hopefully you’ll have seen every summer movie you wanted to see, made your vacation plans for next year, bought that Mac, remodeled that kitchen, fulfilled every dinner obligation, read all those books on your nightstand, caught up on my archives, and took pictures of sunsets so you’ll remember what they look like…because now the real fun begins.

The actors come in rested and the first day of production you’re ready to kill them. And so it begins.

Your first real break comes when you can say "Happy Thanksgiving".

Sunday, May 30, 2010

Maisto Mustang & Camaro

More 1/64 posts from Maisto items. Maisto is generally cheaper then HotWheels and Matchbox. A whole $1.00 cheaper to be exact. It also mean that it is $1.00 less in quality and details. The two vehicles are 2010 Ford Mustang and Chevy Camaro. The complaint I got from Maisto is the lack of details such as painting or decals on front or rear lamps.











It's nice to be the next Preston Sturges

This is a typical story. In the mid 80’s my partner and I had a pretty good movie career going along with our TV work. (I think this was that honeymoon period between the time VOLUNTEERS was made and actually released…because that window was pretty short as I recall.) Disney wanted to meet us.

We trooped down to Burbank, appropriately entered the Dopey Building and met with this very nice energetic young executive. If we had any movie ideas he wanted us to bring them to Disney first. Because of our work on CHEERS we were the perfect writers for them. They were looking to do sophisticated romantic comedies with with and heart, and smart crackling dialogue. Very few people could do that but we could and that’s what they wanted. We were the next Preston Sturges (master of the screwball comedy). We were obviously very flattered and said when we came up with something we would call them. He then said, “Listen, while you’re here, we do have one project that’s open, and we think you guys would be perfect for it. EARNEST GOES TO JAIL.”

We graciously passed. We could write sophisticated comedy but we weren’t Noel Coward.

Saturday, May 29, 2010

Gary Coleman

So sorry to hear about Gary Coleman’s passing. What a sad and all-too-brief life he led.

When I heard the news of his death I have to admit that one of my thoughts was what are they going to do now on AVENUE Q? AVENUE Q is the Tony winning Broadway musical that is essentially the R-rated version of SESAME STREET. One of the characters in the musical is supposed to be Gary Coleman. And he’s the punchline to a big song in the first act. The song is “It Sucks to be Me” and features all of the Muppet-like puppets trying to top each other with how bad their life is. This is how it ends:

PRINCETON (one of the Muppets)
Well, I started at Avenue A,
but so far everything is out
of my price range. But this
neighborhood looks a lot cheaper!
Oh, and look - a "For Rent" sign!

BRIAN
You need to talk to
the superintendent.
Let me get him.

PRINCETON
Great, thanks!

BRIAN
Yo, Gary!

GARY COLEMAN
I'm comin'! I'm comin'!

PRINCETON
Oh my God!
It's Gary Coleman!

GARY COLEMAN
Yes I am!
I'm Gary Coleman
From TV's
Diff'rent Strokes
I made a lotta money
That got stolen
By my folks!
Now I'm broke and
I'm the butt
Of everyone's jokes,
But I'm here -
The Superintendent!
On Avenue Q -

ALL
It sucks to be you.

KATE MONSTER
You win!

Gary also takes the lead in the song “Schadenfreude!” (the German word for "happiness at the misfortune of others!")

Jeff Marx, who conceived AVENUE Q said lines were being changed that were now not appropriate, and after last night's performance a tribute to Gary was held.

Reports are that the real Gary Coleman was not very pleased with how he was portrayed in the show. But he came off as a real good sport. And it just reinforced what we always knew -- Gary Coleman was a wonderful guy. He handled success and fame with humility and gratitude and suffered enormous adversity with grace and humor. He was a great role model, a gifted comic actor, and at the end of the day -- a very big man.

Friday, May 28, 2010

The questions LOST neglected to answer

Other than these I'd say the show wrapped up everything.



Bottom line though: who cares? Wasn't it fun just following a wildly imaginative story?

1/6 Blade Comic Ver.

My latest 1/6 figure collection. My ever favorite Blade from Marvel. I couldn't get hold of Hot Toys Blade II version so I ended up getting the Comic Version first. This is a product by Medicom Japan. Maybe in the future I will acquire the HT version so in the meantime here are some pictures for you to enjoy....

















Overall, I will give it a 8.5/10 for the 1/6 Blade. Articulation is doing its job. Leather jacket has it authentic feels to it. Somehow I think Hot Toys product always reign over other 1/6 companies.

How to become a recurring character

Happy Memorial weekend Friday question day. What's yours?

Steve starts us off:

I'm curious about recurring characters. Do writers have any say over who comes back when, or is it the producers/someone else? Take Colonel Flagg on M*A*S*H as an example. Could you just write him into an episode, or are you instead told, "Hey, we want Colonel Flagg back. Write a story for him."?

Characters become recurring because they really score. The showrunners make those decisions but they’re usually easy ones. The good news for the writer whose script introduced a character who becomes recurring is that they get royalties. We got one for Eddie LeBec. Some great examples of characters who went from day player to recurring or even joining the regular cast are – Klinger on MASH, Reverend Jim on TAXI, Lilith on CHEERS, Bebe and Bulldog on FRASIER, and Bob on BECKER.

Here’s my favorite story: Judith Lowry really scored as Mother Dexter on PHYLLIS. So much so that MTM (the company that produced the show) offered her a ten-year contract. She laughed. Judith Lowry was 88 at the time.

It’s a gift from the Gods when a guest star scores big. Most producers will happily rewrite future scripts to include them.

From David:

What's currently a typical day / week for you? Are you still consulting, meeting with execs, agents, etc.? Does announcing take up all of your time and you just relax in the other hours? How much prep work does announcing take?

Doing Dodger Talk does take up a good chunk of the day. If we have a 7:00 home game I’m at Dodger Stadium around 4:00 and depending on the length of the game, leave around 11:30. I’m there so early so I can talk to players, managers, and of course, rake the infield. I read a lot of stuff online – newspapers and blogs to keep up to date baseballwise but I don’t consider that work. It’s what I’d be doing even if I didn’t have a radio show.

David and I are talking about some future projects and I’m planning on staging my play next winter so I’m meeting with my director, producer, and currently doing a rewrite of the play. Casting begins in the fall and I’m already putting together lists.

I’m also writing that 60s book so usually my mornings are spent in front of my computer either writing that or blog posts. I also write late at night. Most of the jobs I’ve ever had – either in broadcasting , staff writing, or gigaloing – required I work nights so I’m used to the late hours.

When my partner David and I have a project we’ll get together around 10 and write until 1:00 or 2:00. Then we’ll meet the next day appalled at what we wrote the day before.

The rest of the time is spent is spent going to the gym and eye doctors. I lead a very full life.

david russell asks:

Do you find it harder to stay focused on writing now that the pesky Internet is here to distract you with, say, reading blogs? Do you have tricks, like working on a stand-alone, non-web connected computer or are you just that disciplined?

I’ve developed discipline from working in television where you’re always on deadline. So that helps. Once I start writing I generally stay with it, although it’s important to take breaks. The breaks should not last longer than the actual writing intervals however. I check my email too much. I will admit that.

Sometimes for some real concentrated writing I’ll take my laptop to UCLA and roost in one of those cubbyholes in the library. It’s quiet, no distractions, yet there are people around. I don’t feel like I’ve been sent to solitary confinement.

A couple of times when my partner and I had a screenplay that needed to get done quickly we’d drive down to San Diego and lock ourselves in a hotel room for three days. A good portion of VOLUNTEERS was written at the Town & Country hotel in beautiful Mission Valley.

Here comes a short answer to a long question. It’s from Jkessler:

Ken, a question regarding classifying sitcoms. There seem to be three or four general categories: family comedy, office comedy, friends/singles comedy, odd couple relationship.

Most sitcoms fall under at least one of these general categories. But what about a show like "My Name Is Earl?"

None of these categories seem like a good fit. I guess you could argue it's a family comedy, but that's really reaching. Is it a unique genre of sitcom? Redemption comedy? Redneck comedy?

Anthology comedy. (Told ya it was short)

Happy Memorial Day. Drive safely.

Thursday, May 27, 2010

Watch this woman go insane when Lee wins IDOL

You gotta love America.

The AMERICAN IDOL finale

If you just tuned in to AMERICAN IDOL for the first time this season because it was the finale (the way a casual sports fan might watch baseball only during the World Series and porn stars only catch the Masters when Tiger is playing) I wonder if you’d look at the two finalists – Crystal Bowersox and Lee DeWyze and say “Out of 100,000 applicants, THESE are the best two they could find?” That pretty much sums up this season in a nutshell.

They both can sing but midway through the show when Christina Aguilera grabbed a mic and you realize neither of them can carry her Chloraseptic spray.

I’m a little surprised that Lee won but I shouldn’t be. The safer choice usually gets the nod. The fact that Crystal has been compared to Janis Joplin, she might as well have been in the Manson family as far as God fearing America is concerned. Lee is much more their idea of a rock star -- a live Build-a-Bear.

Crystal can take comfort however in knowing the only difference between winning and losing is an appearance on THE TONIGHT SHOW. A number of losers have had much bigger careers than winners. Just ask Chris Daughtry, Clay Aiken, and Oscar winner Jennifer Hudson. To put it in more perspective – runner-up Elliott Yamin sang the National Anthem at Dodger Stadium. American Idol Jordin Sparks sang it at the Dodgers’ spring training facility in Glendale, Arizona.

Some thoughts on the finale:

Maybe the most jaw dropping production number ever was the Top 10 all in Catholic School uniforms singing “School’s Out” with Alice Cooper (who now looks like Ted Danson in clown make up). And then the final shot with the camera looking right up Siobhan Magnus’ crotch. Holy shit! If she had worn that outfit and struck that pose during the competition she might be the American Idol today. Or Mrs. Jesse James.

Joe Cocker has turned into Fred Sanford.

Dane Cook remains an enemy of comedy. Paula Abdul did a better stand-up routine. (More on the Divine Ms. P. later.)

Is Alanis Morisette now black?

Finally! A true inspirational moment. Not the usual trumped up Idol schmaltz sob story of a contestant who was so poor he grew up in a Maytag box or a contestant who has been a mother since she was eleven. Bret Michaels, who only one month ago suffered a massive subarachnoid hemorrhage appeared on the show and electrified the crowd. I expect thirty hopefuls next season to fake grand mal seizures just before they audition (and the judges to mistake the seizures FOR the auditions).

Janet Jackson sang in a black gown with slits all the way up to her armpits. I imagine that’s what she wore to Michael’s funeral.

The Simon sendoff video pieces were lame, but his little farewell speech was typically smart and succinct.

A few words about why this is my last season reviewing IDOL (and by the way, where was the big sendoff tribute to me? Shots of me at twelve reviewing my Jr. High Spring Sing. Shots of me mugging for the camera. Shots of me being yelled at by Diana DeGarmo’s mother.) AMERICAN IDOL used to be a nationwide shared experience. People actually did talk about it around the water cooler. It was fun to write about something everyone had an opinion about. I enjoyed your comments more than watching the show.

But now the zeitgeist has "Gleefully" moved on. AMERICAN IDOL is no longer a phenomenon; it’s a franchise that Fox will keep alive at all costs. To them it’s the golden goose; to me it’s Terry Schaivo.

The show’s become routine, formula, tedious. Hey, nine years of anything, even POLICE ACADEMY movies gets old. The contestants are now cookie cutter types. And without Simon Cowell there quite frankly is no show. Love him or hate him he was compelling… while the rest of the judges were just gristle you cut around to get to the steak.

Dumping Paula Abdul was a big mistake. At least she was insane or drunk or on drugs. Whether it was critiquing a contestant for a song he hadn’t sung yet or uttering pearls like “I will never forget my humble beginnings as a Laker Girl”, Paula always came through. We need a National Joke and Sarah Palin is just not cutting it as her successor (at least not yet). It was so good to see Paula again last night. She looked elegantly inappropriate in her hot pink prom mini-skirt. Listening to her drone on semi-incoherently I realized exactly what I’ve always loved about her. She’s just as surprised at what comes out of her mouth as we are.

Another mistake was hiring Kara. Who cares if she has music credentials? She’s just not likable. It also doesn’t help that she looks like Cruella Deville after a horrible tanning booth accident.

You need someone unique and surprising and fun… which is why I was very excited when Ellen DeGeneres was hired. But boy, has she been a colossal disappointment. She knows nothing about music, can’t string together a complete sentence, and the kid in your 4th grade class who stuck walnuts up his nose was funnier. Drop her. And here’s the thing -- I swear, no one will notice.

So congratulations to Lee. I hope he and all the contestants have successful careers, a few even in music. May Alice Cooper continue to play championship caliber golf, and will someone please tell Joe Cocker where he is.

Simon had a great line (as usual). You have to know when to leave the party. It’s time. Where is that damn valet with my car?

Wednesday, May 26, 2010

When AMERICAN IDOL was fun

As I mentioned before, this is the last year I’ll review AMERICAN IDOL. Tonight’s finale will be my finale as well. But to help get you in the mood, here’s my blog version of a clip show. Some random snarky observations from the last four seasons' worth of reviews.

Adam Lambert is the illegitimate love child of Freddy Mercury and Liza Minelli. He sang “Ring of Fire” but in the more traditional pre-Hitler Berlin cabaret style.

Allison Irahets is a 40-year-old divorced mother of Mickey Rourke’s twins living in the body of a 16-year-old. When all her friends are watching High School Musical she must be watching Hud.

Danny Noriega is the contestant most likely to become one of Bette Midler’s Harlettes. He sang “Superstar” for 70s week but who are we kidding? He should have sung “My Girl Bill”.

Is there one part of Diana Ross’ face and body that she has not had redone… at least twice? She is now officially the world’s weirdest Chia Pet. And when she was hugging Sanjaya I could swear she whispered, “I love you, Michael.” The ick meter was pegging the red.

Who knew? Amanda Overmyer is a “book worm”. What does she read? English literature? Russian novels? No. Rock star biographies. That still makes her the intellectual of this bunch. With the wild streaks in her hair and zebra slacks I thought she was joining the cast of CATS.

Could they pad the show any more? Christ! It was so long Paula’s drugs were wearing off.

Then came Jason Castro. Imagine Lisa Edelstein with dreadlocks.

In the getting-to-know-you segment with Jason Castro we learned that he’s an idiot and takes pride in it. Bullwinkle could have done a better job answering simple questions. Maybe after the show he and Paula can collect string.

Paris Bennett will play Gary Coleman in the touring company of AVENUE Q.

Megan Joy sported a Connie Stevens hairdo and bludgeoned “For Once In My Life”. I imagine she made the same sounds when they were burning the tattoos into her arm.

Michael Sarver sang “Ain’t Too Proud To Beg” all the while pickin’ and a-grinnin’. I guess when a boy from Jasper, Texas pleads to a girl to not dump him he smiles because if she doesn’t comply he can just tie her ankles and throw her in a sack.

Phil Stacey could easily win AMERICAN SERIAL KILLER.

As always, they saved the best for last. David Archuleta sang a fabulous interpretation of “Imagine’. The judges were knocked out by the originality. And they should be. When Eva Cassidy first sang it that way years ago on one of her albums it was quite extraordinary. Much better than Archuleta’s original cover.

Now that the kids not attractive enough for FOX have been weeded out we can get down to business. This was Country Night and the guest mentor was Randy Travis (or, for you non Country fans: Thomas Hayden Church).

I would LOVE to see Bob Dylan as the guest star one week. He would coach the kids and they would all say, “What?” “Huh?” “Could you repeat that?” “What did he say?”

And since Paula can only parrot what the guest says, it would be fun to hear her say to a finalist, “Like Bob said I think, you were either great or terrible.”

When the judges were telling Haley they thought her song was safe what they were really saying was, “Go back to the halter top!!!”

Of all the bizarre looking contestants that have tried out for AMERICAN IDOL this season none have even come close to guest judge Carole Bayer Sager. Yikes! She looked like a trampoline with eyes.

Last week the guest dead weight was Jewel. She could not have looked more uncomfortable if she were sitting with the Menendez Brothers and O.J. Simpson. Favorite moment: when she mumbled to a contestant that he had no personality.

Katherine McPhee will join the Johnny Mann Singers and be heard on KRTH jingles. Will try to make a niche for herself in the standards market. Will discover there is no standards market. Will marry, have kids, and be forever bitter that Linda Eder has her career.

Now that Sanjaya has been voted off, AMERICAN IDOL turned to another charity, the fight against poverty. It was AMERICAN IDOL GIVES BACK week. Similar to the Jerry Lewis telethon except it only lasted one hour not nineteen, and Paula had all the jewelry not Wayne Newton. It was a worthy cause and a lovely gesture but an “historic event in television?” I don't think so. That would be the night Randy had an original thought. We’re still waiting for that historic night.

And while we’re on the subject of overstatement – Ryan asking viewers to vote saying “it’s the most important call you could ever make.” Let’s see? 911 emergency or voting for Jordin so Newscorp will donate ten cents?

Please please please Fox, don’t look at the huge ratings Wednesday and decide the Africa footage could be a great spin off.

It was a tough night for the judges because how do you tell someone singing a “life anthem” that he sucked?

Unlike the Chabad telethon, at least they didn’t have a running crawl -- Morris Fishbine, Brentwood, $18 in memory of Sophie Fishbine… Nosh n’ Lox Deli, Encino, $18, in honor of pastrami month where all sandwiches come with soup…

STOP CRYING!!!!

This is AMERICAN IDOL not DARK VICTORY. This is not a Meredith Baxter Birney Lifetime MOW where she comes down with whatever disease killed the last patient on HOUSE. This is not LOVE STORY. This is not OLD YELLER!!

This is a bunch of cute looking kids who all sound like Aretha Franklin or Michael Bolton vying for a chance to be on television every week. It’s not, “Ohmygod, I can walk. I CAN WALK!”

The worst was this boy who lives in his car and looks like Kellie Pickler. Jesus! I’m sooo glad he was finally eliminated. He cries so much he probably needs windshield wipers on the inside of that car.

First up was Kristy Lee Cook. She sold her horse to fly from Portland to Philadelphia to audition for the show. There were also auditions in San Diego, which is closer. She could have just sold her cat.


Alaina Whittaker followed. She’s 16, blond, and has that Lauren Hutton space between her two front teeth that make her seem wise beyond her years.

Listening to Chris Richardson sing through his nose I thought this guy could do his number while drinking a glass of water. He may have to do that next week if he even survives this one.

New Coke cups this week. Cut to little girl crying.

I’m still having nightmares over Carole Bayer Sager. Imagine a slingshot that’s been stretched for four blocks.

Ann Marie Boskovich was the 247th contestant to sing “You Make Me Feel Like a Natural Woman”. She came in 200th.

Tatiana Nicole Del Toro – Completely nuts. Easily the most annoying contestant ever. The only time I want to see Tatiana on Fox is when Jack Bauer is torturing her. And even if she tells him what he wants to know he still doesn’t stop.

Matt Breitzke – Welder. Some contestants play their own instruments. He builds his own sets.

Tuesday, May 25, 2010

My review of the last 24

SPOILER ALERT!!!
Jack Bauer, wounded, bloodied, with no ID or money has been asked to slip out of the country and disappear. I’ll say this for America, we sure know how to thank and honor our heroes. All the guy has done is routinely and single-handedly saved millions of lives, exposed major plots to subvert this nation, and thwarted every sinister villain not assigned to James Bond. Okay, he only works maybe one day every two years but those are full days. You’d think at least he’d get a commendation or something. They’d let him throw out the first pitch at a Nationals game. Show him in the audience of AMERICAN IDOL sitting next to Jane Lynch. Anything!

But no, for all his sacrifice and overtime, he’s told to scram. Such was the final episode of 24. No white light to walk towards for this Jack. No reuniting with his wife Terry or Renee Walker or President Palmer or Edgar or Michelle or Buchanan or the 400 other people close to him who are now dead. No, this Jack must carry on, alone, bleeding, and emotionally bankrupt. This may be the last time we ever see him again… unless he comes back in a movie of 24 or returns to television as THE FUGITIVE.

But it was a great ride. How the writers kept the suspense going non-stop for 24 hour periods is totally beyond me. How many traps can Jack extricate himself from? How many nuclear, biological, chemical, political attacks can there be? How many global conspiracies are there? The show ran for 192 episodes plus a two-hour movie. Remarkable.

For the first few years 24 was great escapist fare. It got better and better until one year the show and Kiefer Sutherland won Emmys.

Then it struggled. Dropping a nuclear bomb on Valencia was a bit of a buzz kill. Kim Raver as charmless love interest Audrey was another. And that mistake was compounded because they inexplicably brought her back. Did no 24 writer ever read a blog???

Torture was a big issue. Well, it became a big issue with Guantanamo Bay. So the producers modified it. Instead of just straight torture there was torture and debate. And Jack only tortured the bad guys… most of the time. In one episode he tortured Audrey. I think that's what won him the Emmy.

What the show generally had going for it was great villains. Dennis Hopper, Jon Voight, Powers Booth, Penny Johnson Jerald, lots of Arabs. But the greatest villain of them all was Gregory Itzin (pictured: right) as sniveling, conniving President Nixon… I mean, Logan. He was the key to the Emmy winning year and this season was spinning its wheels until he re-appeared.

They tried to shake things up last year by moving the series to Washington D.C. and this year it was set in New York. And the change of scenery helped but by that time I started watching the show differently.

The first few years I was really invested in the plots. I was shocked when they killed his wife at the end of season one. The message was received loud and clear – anybody was expendable. So the suspense heightened. These people really were in jeopardy.

Sure, there was the suspension of belief. In one episode Jack got from downtown LA to Simi Valley in twenty minutes during rush hour. If he was strapped to a Convair X-11 Atlas missile he couldn’t get there that fast.

And Jack seemed to heal very quickly. There was one hour where his heart literally stopped and fifteen minutes later he’s beating the shit out of a street gang in a parking lot. ICU is for sissies.

I just sort of accepted that every year his annoying daughter Kim would be kidnapped. It got to where she brought her own rope.

But I didn’t mind. This was a thrill ride.

After that one really bad season though I started watching the show differently. All the absurdities I had ignored, I now embraced. That became part of the fun.

My daughter Annie and I would have a rollicking good time pointing out these gaping plot holes. CTU hires Dana Walsh to be their chief systems analyst handing the most sensitive matters and their security check didn’t reveal she was using an alias and had been in prison? Really?? Meanwhile, an ex-boyfriend does figure it out. And in the midst of a national crisis she slips out to help him pull a heist? You gotta love it!

And this year I imagine the producers said, “what the hell? Let’s just go for it.” Two hours ago Jack was wearing a Robocop outfit shooting up a presidential motorcade. Yeah! Jack was crazed because the woman he decided he loved an hour before was killed. Turns out the President of Russia PERSONALLY put the hit out on her, as if the President of Russia even knew who she was. Genius! Torture is one thing but now Jack was cutting a guy’s stomach open to retrieve a sin-card. If you loved that scene in SAW you loved it in 24!

So thanks for the thrills. Thanks for the laughs, even if they were unintended. And most of all, thanks for Chloe O'Brien. As portrayed by Mary Lynn Rajskub, who knew that exasperation and eye rolling could be so endearing? The girl you hated in school is the one you loved on 24.

How fitting then that the final moment should be between Jack and Chloe? It ended on just the right note. Jack thanking her for everything was surprisingly touching. And when a tear rolled down her blank face well...I was misting up myself.

I will miss you, Jack Bauer. Thanks for saving the nation. Twenty times. I’d say you’re welcome to come over and hide out at my house but everyone you’ve ever helped winds up dead so I’ll just say farewell, thanks again, and you really should have that six inch gushing knife wound looked at.

Monday, May 24, 2010

Kaiman : The Soldier of the Lizard Head Pt.2

This is the continuation of the Kaiman figure from my previous post. Today I will have his head replaced with another Masked head that comes with the figure. I think the lightning aer better this time. Hope you like it.











My review of the last LOST

SPOILER ALERT!!!!!!!
So after six years and all the twists and turns and time travel and coincidences and mythology, we learn that LOST is just a retelling of the story of Christ. Jack is the chosen leader, saves the world, dies for our sins, is reunited with his “Father” (whose name happens to be “Christian” as opposed to say Schlomo or Habib) and the “Christian Shepherd” leads everyone happily into the light.

So depending on your personal beliefs you either found that ending enormously satisfying or the conclusion of the world’s longest shaggy dog story.

It certainly was a feel-good ending (even though everyone was dead – hey, at least the party had a theme) and the lead-up to it was LOST storytelling at its very best. The action sequences were thrilling, mysteries were solved, but by far the best part of the episode was the romantic reunions. Call me a softy but I got choked up at the Sawyer-Juliet scene. And is that true that if you unplug a vending machine the candy will come out? Or is that only in the after-life?

The Sun-Jin scene was beautiful (I’d like to think that seeing flashes of their life on the island is what caused them to instantly learn English; that it wasn’t the result of the Sonogram), and I was so happy for Charlie and Claire after all they’d been through. The Sayid and Shannon hook-up was a little weird though. I thought the love of his life was Nadya. But no matter, each scene melted my heart. And at the end of the day I cared so much more about the characters’ fate than the island’s. Besides, you don’t need a mysterious force to blow up the island. Just let BP come in and start drilling offshore.

A few random observations:

I was hoping Richard would be real excited taking his first plane flight. “Hey, look at these little trays that come down from the back of these seats!”

Also, good luck getting through Customs, Richard. Saying you’re from the Canary Islands in the 14th century is not going to get you into America, buddy.

So I guess we’re saying that Ben’s going to hell? At the end of the day he’s the one person who didn’t join “the others”? Or maybe he didn’t want to go in there because in the six year run of the series every person in that room had beaten the crap out of him at least twice.

How did they get the giant tree trunk off of Ben? They seemed to be having some trouble with it. Maybe Superboy did it and they can wrap up SMALLVILLE too.

At least the show didn't end with the screen going black.

When the plane flew over the island one last time weren’t you hoping they’d look out the window and see “Goodbye Hawkeye”?

In the church scene – other than Rose, not a lot of people of color. Where was Michael and Walt? How come Penny was there and Mr. Eko wasn’t? Penny never was even on the island.

And how come Clair’s baby was there and not Sun & Jin’s? If these were supposed to be the most important people in their lives wouldn’t their kids qualify over say, Boone? But of course, that bothered me from the episode a few weeks ago when Sun was trapped in the sinking submarine and drowning and Jin elected to stay with her and die. Why didn’t Sun say, “We have a daughter, you idiot! Do you want her to be an orphan? Go back and…glug glug… raise your… glug… daughter!”?

Ultimately, I thought they did a sensational job of wrapping up all the characters. I especially loved that Hurley became the new island protector. I assume he’s still rich from winning that lottery so boxes of food from Spagos can be airlifted to him instead of Dharma Project supplies falling out of the sky.

The thing I appreciated and admired the most about LOST was that in six years, every single episode, I could never out-guess them. The level of imagination was second-to-none. On the one hand I feel a much needed sense of closure now but on the other I will miss the show terribly. My thanks to the staff for a great great ride.

LOST definitely was a groundbreaking television show. I’m sure people will be enjoying the DVDs for years. And this concluding episode is sure to become a Christmas and Easter tradition.

Tomorrow: My review of the last 24. I guarantee they won't make that Jack a Christ figure.

Sunday, May 23, 2010

Getting you ready for the last LOST

My favorite show, LOST concludes tonight. I’ll have my review and final thoughts tomorrow. LOST is an ongoing serialized adventure set on a tropical island. If you haven't been watching you might be a little, well...lost. So allow me to get you up to speed.

CHARACTERS:

JACK (Matthew Fox) - A handsome doctor who the castaways look up to, not because of his leadership ability but because the actor has a feature career. He's verrrry serious. A joint the size of a piñata would do him a world of good.

KATE (Evangeline Lilly) -- Hot brunette. Killed her boyfriend. I would still date her in a second, even if she wants to go to a gun show.

JOHN (Terry O'Quinn) – Dead but not really. Here’s where it starts getting weird – there were two brothers who have been guardians of the island for centuries. He’s the bad one but now taking the form of John who is dead. That’s what happens when you kill off a main character without checking the contract to see that you still have to pay him for two more years.

SAWYER (Josh Holloway) - The good looking bad boy. Edgy. Dangerous. Defiant. Every girl wants him when he's 20. When he's 50 and living in a trailer park, he's lucky if Bea Arthur gives him a second look.

SAYID (Naveen Andrews) - The one terrorist who tests well. Now dead, not that that means anything.

HURLEY (Jorge Garcia) - Fat guy/comic relief/castaway mascot. Keeps things loose 'round camp when people are kidnapped or eaten by animals.

SUN (Yunjin Kim) - Korean married to Jin. Can speak in English or Korean subtitles. Drowned in sinking submarine so for LOST, she died of natural causes.

JIN (Daniel Dae Kim) - Korean married to Sun. Died with Sun but through network reincarnation returns next season on CBS in HAWAII 5-0.

CHARLIE (Dominic Monaghan) - Dead. I’m starting to realize, maybe the series already concluded. No one seems to still be alive.

CLAIRE (Emilie de Ravin) - Had a baby on the island. Still better than a Kaiser hospital. Is really Jack's sister. Should they ever have a romance and get married the island will be renamed West Virginia.

DESMOND (Henry Ian Cusick) – The most interesting character on the show. Has a Scottish accent. Calls everyone "brother." Has premonitions. Likes the Lakers over the Suns but says "take the points, brother."

BENJAMIN (Michael Emerson) - The Emmy winning leader of "the Others" (another group of island inhabitants. They resent the castaways for calling them "the Others" when they were there first. As a result, want to kill everyone.) If Harold from Harold & Maude grew up, moved to the tropics, and went off his meds he'd be Ben.

JULIET (Elizabeth Mitchell) - Fertility doctor from Portland, Oregon, recruited by the Others. Once she got to the island she realized, "Hey, this isn't the Mayo Clinic!" Still not the worst career move she's made. She played Mrs. Clause to Tim Allen in the last two installments of the Santa Claus trilogy. Dead of course but renewed – her current series V was picked up.

PLOT

It’s simple really. A plane crashed and a group of strangers who really know each other but don’t is stranded on this mysterious island inhabited by polar bears, a smoke monster, residential tract homes, a hatch, a group called “the Others”, giant foot statue, clipper ship and a plane in trees, temple, force fields, a lighthouse, golden pond, a hydrogen bomb, and this great little cove for fishing.

Except…

maybe they didn’t crash at all, in which case they’re different but still know each other even though they don’t.

Some of the characters are dead. One character who is dead has come back as another character. There is time travel involved. The island can disappear. It might actually be underwater. There are two Godlike puppet masters. One character who never ages. People have flashbacks, flash forwards, and flash sideways.

And in the two-hour finale all of this will make sense.

There. You’re now completely caught up. Enjoy.

On another topic, still time to weigh in your thoughts on yesterday’s Comedy Test. Thanks.

Friday, May 21, 2010

Another comedy test

You weighed in on the HONEYMOONERS and FRASIER and Woody Allen's stand up. Now I've got a classic scene from TAXI. I fell on the floor when I first saw this. Does it still stand up? Drugged-out burnout Jim is applying for a driver's license. This was written by Glen & Les Charles and directed by James Burrows.

My scorecard

One additional Friday question:

LarNdc asks:

When I go to ballgames I love to keep score. What does your scorecard look like?

Good luck deciphering it. Here is a typical scoresheet. No two people in the world have the same scoring system. But it doesn't matter. As long as YOU know it means that's all the counts. My system has been revised over the years, but here are the basics:

I circle all outs. A dot in the box indicates an RBI. And I keep track of all balls and strikes. The hash marks on the side are balls, the hash marks below the box are strikes. Players' positions are represented by numbers. Pitcher-1, catcher-2, first baseman-3, second baseman-4, third baseman-5, shortstop-6, left fielder-7, center fielder-8, and right fielder-9.

Anyway, here it is. It might be easier to crack Navajo codes but good luck.

How does a regular Joe Schmo pitch a pilot to a network?

Here are some more Friday questions and answers sent in by you, the loyal or occasional readers.

Heidi Germanaus starts us off:

Ken, I have a pretty damn good idea for a t.v. show. How does a regular Joe Shmo get in a position to pitch something like that?

Heidi, I wish I could be more encouraging but the truth is unless you have a track record it’s almost impossible to get a network to hear your pitch. They’re more concerned with who’s going to execute the show than who brings in the best ideas. Generally you have to be on staff of a show for a few years or have a screenplay credit or two (and even then they’d want you paired up with an established show runner).

You might take your idea to a studio or producer but the best you can hope for is that they’ll buy you out – give you a nominal sum and politely ask you scram. If the project doesn’t go forward you still have a few thousand bucks. But if the project does go forward and becomes FRIENDS everyone winds up a billionaire but you.

I suppose you could make the pilot yourself and put it on Youtube and if it becomes a huge viral hit a network might take notice but that’s the longest of longshots.

In any event, write your pilot and use it as a sample. Maybe it will get you on staff of a show and two years later the networks will be coming to you asking “what ya got?”

Best of luck. I know it’s hard and frustrating.

From Dana Gabbard:

I just caught the pilot for Cheers which reminded me of a question I have long had. John Ratzenberger's Cliff during the first season or so seems to have a much more pronounced New England accent. Is the change to being less nasal deliberate?

It sort of evolved. Part of the problem with a pronounced NE accent is that it’s sometimes hard to decipher and that can be death for jokes.

Same on MASH. David Ogden Stiers originally wanted to do a thick Boston accent. We expressed our concern and he said, “Okay, how about this then?” He backed off of it just a smidge and it was perfect. For his entire run on the show he kept that accent at that exact same level. He’s amazing.


Stephen wonders:

Do commercial breaks ever irritate you as a writer? Like,"Okay no matter what's going on with the story we have to get it to a mini-cliffhanger by the act break so the audience will come back!". I watch a lot of BBC shows where there are no breaks so the stories can develop at their own pace and I would imagine it is far more freeing for the writer.

The breaks bother me in that they take the audience out of the show. No one wants to be interrupted when engrossed in a story.

But if you have to have breaks, I don’t mind the two-act formula where there’s a spot break in the middle (we’re talking sitcoms here). You build to an act break at the midway point then set about resolving the story in the second half. That’s good storytelling, commercials or not.

I’m less enthusiastic about the three-act formula, which networks are insisting on more and more. Then you’re just going through hoops. A lot of shows deal with it by not worrying about building to an act break. They just tell their story and break along the way. It depends on the story obviously but I think dramatically the two-act structure is preferable.

For hour dramas it used to be a four-act structure and now it seems they have long first acts to get you sucked in then a bunch of breaks the second half hour. That’s got to be maddening, even for Jack Bauer.

And finally, from sophomorecritic:

Ken, my question is with pushing daisies, dollhouse, firefly, my name is earl, arrested development, commander-in-chief, aliens in america, ugly betty, and a number of others being cancelled so early in their run when they're clearly good shows, it's hard not to admit that the entire system is broken.

Why doesn't it discourage smart people to enter TV when the good shows don't get rewarded?

Unfortunately, those shows you cited all had disappointing ratings. At the end of the day it’s a numbers game.

But smart people keep coming back because some good shows do get rewarded. LOST, MODERN FAMILY, MAD MEN, BREAKING BAD, DEXTER, DAMAGES, GLEE – these are just a few of the good shows that have captured the audiences’ imagination. It’s hard. And it usually requires cable or a SOPRANOS credit. But it can be done.

Also, you can make a lot of money in television so that keeps smart people coming back because they like to eat.

One more question, which I'll post later today. Some photography is involved. What’s your question??? Leave it in the comments section. As always, thanks!

Thursday, May 20, 2010

Yujin GTRs

G'Day! Here is something different from my usual scale car models. These are Yujin mini Choro-Q GT-R's. The model you are looking at are white R35 and yellow R34. Check it out!









Yeap, when you put it next to a 1/64 model it is that small....