Stand-in theatre

Progress report on the musical I’m co-writing, the 60’s PROJECT, due to open at the Goodspeed Theatre in fabulous Chester, Ct. on Thursday night. So far, so good. Today we have our first complete runthrough. It should give us a great indication of where we are. Especially since it’ll be in a rehearsal hall, without the band, lighting, costumes, visuals, and two of the actors are out sick.

It reminds me of the last few years working on CHEERS. By that time, practically every cast member had other things to do – projects, movies, golf tournaments, guesting on other shows, pedicures, buying real estate, speaking to acting classes on the value of rehearsal, etc. So it was not uncommon to go down to the stage for a runthrough and find it was Ted Danson, the script supervisor, First AD, Second AD, prop guy, and George Wendt. We’d come back to the office for the rewrite and say “How the fuck do we know what worked or didn’t?”

My favorite moment was when one of the cast members showed up the next day after missing a runthrough, saw that a favorite line had been cut, and screamed at the crew member stand-in for killing the joke.

The sad thing is that often times that crew member delivered lines better than the actor.

Wish us luck on the runthrough.