Today’s question is from reader Matthew Price:You write about Cheers, Frasier, and MASH a lot, and it's obvious that you really loved working on those shows. I'm pretty sure you were well compensated for your time, too.
I was wondering if you've ever worked on a project that you loved, but you didn't make much money on. An indie comedy, perhaps, or a spec pilot that didn't go anywhere?
It's great to hear about getting paid to do what you love, but if most of your readers are like me, we're not getting paid much (or at all), yet. What was that time like for you?
It’s easy to look back nostalgically at those “hungry years” since I made it but the truth is I loved that period. After years of saying I’d like to be a comedy writer I was actually doing it. Yes, there was the tiny detail that no one was paying me and there was no guarantee anyone ever would, but still. I loved the process.
And still do.
I have a running joke with my friends now that my quest is to write as many things as I can that will return no money even in success. This blog is a great start!
I also have a play that has cost me money, a musical I co-wrote, several spec pilots, and numerous spec screenplays (some romantic comedies, two indie type features, and even one straight drama. My coffee table is littered with unsold scripts.
Side trip: When I called my feature agents and told them I was bringing in a new spec they were very excited. I then mentioned it was a drama and the silence was deafening. They didn’t even hide their disappointment. “Why would you do that?” they asked incredulously. I told them it was subject matter that resonated with me and I wanted to stretch myself. “Yeah, but you’re a comedy guy,” they said. “I know, but I’m also a writer.” Another long beat of silence and they said, “Well, are there any jokes in it? Maybe we could sell it as a dark comedy?” I am no longer with that agency. And by the way, I love that script.
If you intend to be a writer solely because you see it as a way of making fast money, find something else to do. It’s hard work. The money's not as fast as you think. And when people pay you they have the right to make suggestions. That can make it VERY hard work.
But real writers are compelled to write. They’ll suffer through those assignments just so they have the opportunity and freedom to write what they want, what’s in their hearts, without the benefit of helpful notes.
That said, if someone would like to buy my 60s memoirs, travelogues, play, musical, pilots, screenplays, outlines, treatments, beat sheets, articles, college essays, letters from camp, or advertise on this blog I'm open for business!
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